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Internet Linguistics
D fucha of D ritN wrd
TEXT BY DEBRA WIERENGA     ILLUSTRATION BY ROMAN KLONEK     APRIL 12, 2006
How comfortable R U w Netspk?   (Choose one)
I uz it aL d tym
I cn figur it out f I try hard Enuf
DIS iz wot kds R for--to transl8!
Ummm, hello? This survey has so many typos it doesn't make sense!

Agree? Disagree? Stop sounding off to your computer screen! Instead, share your point of view on this subject with our readers.
Internet linguistics


On a typical day, my teenage sons communicate with their friends in a number of ways that involve writing but do not require pencil and paper. They e-mail, IM, post on each others' blogs, leave text messages on each others' cell phones, and--in math class--even tap out brief dispatches on their graphing calculators.

Many of these missives do not at first appear to be written in English. They bristle with consonants-only formations like akcdnt (accident), impenetrable acronyms like ROFL (Rolling On the Floor Laughing), words containing numbers (4Tun8 = "fortunate"), clever "emoticons" ( *^_^* = blushing), and entirely letterless words (@->-->--- = "rose").

Teachers, parents, and editors of grammar texts find themselves bewildered or appalled or both at what many perceive to be the resulting deterioration of written communications. A 13-year-old who turned in a What-I-Did-on-My-Summer-Vacation essay written entirely in "text lingo" ("My smmr hols wr CWOT. B4, we usd 2go2 NY 2C my bro, his GF & thr 3 :- kds FTF. ILNY, it's a gr8 plc. . . .") provoked lively debate in the local papers for weeks. College professors and word experts warn that Netspeak is systematically destroying grammar, syntax, and spelling, that certain words will eventually die out due to new patterns of usage. (Will "hello" and "good-bye" eventually be forever replaced by "hey" and "later"?)

But linguist David Crystal, author of Language and the Internet, is thrilled. He believes the various applications of new technology are leading to creative new stylistic forms and increasing the expressive range of the language. "Rather than condemning it," he says, "we should be exulting in the fact that the Internet is allowing us to once more explore the power of the written language in a creative way." According to Crystal, we are on "the brink of biggest language revolution ever."

Given that the first two language revolutions were the emergence of speech and the development of written language (around 50,000 and 6,000 years ago, respectively), the prospect of another, even bigger one is obviously a big deal. Language experts like Walter Ong tell us that human consciousness itself changed with the advent of writing. Who can say what the next revolution in words will make of us?

A really brief history of the written word
Ong called writing "a technology that changes thought." He argued that once a person can look at a representation of what she is thinking--take it out of the transient world of speech to pin it down on paper--she has an opportunity to analyze, revise, deepen, and expand her thoughts--and raise her level of consciousness. As writing became a system unto itself, separate from speech, with unique uses (legal records, religious documents, literature) and rules (spelling, punctuation, grammatical structure), written language grew more polished and formal, more divorced from the spoken language of everyday life. Literacy came to symbolize education, sophistication, civilization itself.

Then, mid-twentieth century, communications media like the telephone and radio and television broadcasting introduced an era Ong called "the second orality." As speech once again assumed dominance in mass communication, writing itself became less formal, taking on characteristics of spoken language. In 1900, the average English sentence contained 30-40 words (down from 40-70 words per sentence in 1700). Texts from the 1980s averaged about 20 WPS. Today, a complete (not to mention emotion-filled) sentence can be tapped out in four characters: I <3 U.

Come the revolution
Linguist Naomi Baron, author of Alphabet to Email: How Written Language Evolved and Where it's Heading, suggests that the relationship between spoken and written language is about to come full circle via our e-mail inboxes. Pointing to the way computer-mediated writing increasingly mirrors the characteristics of informal speech, Baron builds a case that the distinctions between written and spoken language will simply cease to exist. And she is not sure this is a good thing.

When we begin to write the way we talk, Baron says, we may begin to lose an essential aspect of our humanity. Ignoring the conventions of grammar, spelling, and composition might lead to the loss not only of clear communications, but of our reflective, analytical, reasoning selves.

"These issues spill beyond the classroom as students become adults, whose writing goes largely unmonitored. No one edits what gets sent out on the Net," Baron writes. "As our notions of writing begin merging with informal speech, we find ourselves getting into trouble. Speech that's directly written down can produce texts that are verbose, sloppy, and even irresponsible."

As an example of how using e-mail as a substitute for speech--rather than as a medium with its own editorial safeguards--can have regrettable consequences, Baron offers an outcome of the U.S. government's case against Microsoft in the late 90s. "In the wake of the revelation that e-mail messages sent by Bill Gates himself may have been less than sportsman-like in the treatment of the competition, the chief executive of one Internet-based company bemoaned the resulting new atmosphere of 'deliberation and delicacy' that 'slows down communication' when 'everyone is stopping and thinking about what they write.'"

Wait a minute, Baron says. Isn't stopping to think about what you write a good thing? If traditional writing is somehow transformative, what do we lose "as individuals, as members of communities" when writing merges with speech?

David Crystal, though, predicts more positive outcomes for the emerging revolution in language. Instead of viewing computer-mediated writing as a converging of written and spoken language, he looks at it as an entirely new medium, using properties of language that do not exist in traditional speech or writing. Think about Internet chat rooms, he says, where many people can be "talking" simultaneously and the language of the discussion that unfolds is entirely unlike anything you'll encounter at a cocktail party or in a novel. Consider the e-mail message, in which the ability to cut and paste and respond to certain points directly within the message, then forward the message to another colleague who can insert his two cents, results in language that represents collaborative thinking in a way other written media or speech can't approach.

Computer-mediated writing is giving people opportunities to play with language "to an extent not seen in English since the Middle Ages," Crystal says. Shakespeare, he notes, was not afraid to take a noun and use it as a verb, and in his writing lifetime the Bard created hundreds of words that are still in use (and in dictionaries) today.

D kdz r ll ryt, imho
I like thinking of my sons and their friends as latter day Shakespeares, using their blogs and online messaging to create a brave new language that is global and diverse and free of the kind of rhetorical cant that passes for communication in high places today. Any concerns I had about traditional writing conventions being abandoned wholesale by the Net generation were alleviated by an informal e-mail poll of my 15-year-old's classmates. Consider these responses to a question about the value of punctuation:

  • It's good to give the reader a break so they can decipher what you're talking about.
  • I frequently find it difficult to listen to people who use endless strings of words with no periods, commas, or even real words included in their thoughts.
  • I use it constantly, because writing is useless without it. There can be no emphasis expressed without those things!
  • It gives a common structure to thoughts which are perhaps not held in common.
  • [I] have an everlasting love affair with the semicolon.

(www.blackriverpublicschool.org--in case you're wondering where these kids go to school.)

But what really convinced me that the future of language is in good hands was reading about text message poetry, a teenage craze that originated in Japan, spread through the UK like wildfire, and is beginning to catch on here in the U.S. All over the world, young people are finding a new use for their opposable thumbs, creating and transmitting 160-character lyrical messages to be read on the tiny screens of cellular phones.

You can't lie in a poem, and figuring out how to say something true in 160 characters (including spaces!) or less requires one to think very hard about words, punctuation, and what one wishes to say.

Debra Wierenga is a mother, poet, and frequent contributor to jugglezine.

 
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Forcing you to leave your e-mail address makes you nervous, right? It's the editor's fault. She wants to be able to contact you if she needs clarification on your reaction.

Reactions to "Internet Linguistics"



I thnk ths s fscntng nd lk frwrd t ths tp f cmmnctn shrthnd. w r n th dg of a "mmnt f cmplxty."

I've have recently been attempting to work out, for my own entertainment, the potential in dropping vowels. It seems, though, that I can never comfortably drop them all. I'm not sure what my rule will be. Type a word if it's >4 letters, modify if 4 or more? I love playing in this sandbox, it's fun. As the granddaughter of the Chaucer professor states, you must admire the brevity.

I remember that it took me some time to get used to "one space after a period, not 2." Now that I've adopted the habit, 2 spaces seems darned wasteful.

I also remember long ago, learning the Gregg method of shorthand. It was so much fun! A language that few knew. Same as "pig Latin" -I have no idea where that name comes from and sure hope no one is offended- or hip hop's fir schizzle.

My gosh, shorthand and dictaphone machines.
Odds are, a change is inevitable.


T
Program Administrator, The University of Chicago



One thing you are missing about this is the fact that the language is going down different paths for different uses. The language you are focusing on is mainly for casual conversations, and like it says, quick conveyence. this is not, as some people think, a loss of language or even an affront to its purity, but rather an evolution to optimize its use. In gaming communities, for instance, quick conveyence is the most important part of language. The people are focused on a single goal, past that point lengthy words and proper grammer gets in the way if you can be understood with only a few characters instead. There are also communities that employ what is commonly known as "leetspeak", a term derived from "elite-speak". Leetspeak, or 1337$I"3/-\]{, or 1337S?I=-@I<, or any number of varations is a language meant to be hard to decipher, to promote deep thought and reflection from the reader. It originally came from a need to be exclusive, to transmit thoughts only to your peers, a sort of "in" group. This desire is not unlike that of those who were literate during the pre-middle ages.
Some people are going to write me off as a kid who doesn't know anything of true literature, and they'd be right. But those who do will be left in the dust. I may be young, but i'm miles ahead of anyone who reacts that way to innovation and progress.
This evolution of writing is not a bad thing, do not fight it. If somthing is useful, use it. Do not let predjudice turn you from your path, embrace the revolution or be left behind.

Jay Harman
Student, The Thacher School



Donna, <3 is a heart. So it's like the "I [heart] NY" T-shirts, which I'll confess I still read as "heart" and not "love."

Every change in language creates the "insiders" and the "outsiders." Case in point. The speed of evolution of this new language makes me wonder. . .

Edith Pierce



Someone has a demented dream if he (not they) thinks this is an acceptable innovation. I suppose that with time and some uniformity of construction it will be an accepted form of communication but right now it's not logical at all.

mww
person



Wow! I'm really getting old. I don't understand any of that "code" language!

Kristen



Wow, my response would be as long as the piece itself, but that's not good use of the language.

Language has to be malleable, and English has been probably the most adaptable of languages. So, I have no doubt that IM, internet "quickhand" or other variations will continue to develop and find their way into common usage. (Anyone with doubts about this should read The Mother Tongue, Bill Bryson, William Morrow & Co., 1990)

In the running together of speech forms and written forms, we may be risking losing a dimension of our thought processes that would be to our detriment. Oral communication involves different sensory channels and centers in the brain than reading does. Speech is intended for instant conveyance - communication is too strong a word for this, since the essential aspect of communication, communal exchange, seems to be sorely lacking today - but the written word offers the possibility of reflection, analysis, assessment and deeper thought.

This is why reading a play and either speaking or hearing a play will evoke different responses. Whether Shakespeare or Shaw, READING a play opens up vastly different opportunities for interpretation. The performed play offers the immediate interpretation of the actors - take it or leave it. Similarly, the IM offers the immediate impulse of the writer, even though it is something to be read.

I remember how many people worried and, indeed, created trouble in the early days of e-mails because the intent, the inflection, of what they intented to convey was mis-interpreted. Will IM "language" change that? Probably so, because there is little room for interpretation in these messages, which is a good aspect.

What I hope is that this latest evolution of the language develops into a third mode of information exchange, and that we do not lose the more structured written forms that give us the opportunity to go deeper into the meaning of the language, and in this, go more deeply into ourselves.



Don Morelli
Ergonomist



Artistic expression can range from gimped fractals to free-verse poetry. To the degree that it is subjective, precision becomes a non-issue. Objective, business communication, however, requires a system of parameters for common understanding. Literature blends artistic expression with systematic communication, applying aspects from both. There will always be art, literature and business, and the web won't change that.

Jim Thompson
Non-Owner, Any Real Property



I can understand what all the confusion is about, I "play" on the Internet all the time and I do not understand more than half the stuff these young kids are talking about. I do use a few acronyms such as the number 4 for the word "for" and LOL (laugh out loud) but that's the extent of what I know. I do find that these kids are very creative in the stuff they come up with. As long as they know the true spelling of these words and such, I really don't see anything wrong with it.

Lisa



Your article was a new one for me. I'm on line everyday, but still using old school language!

I can figure out most of the stuff except <3
what in the world? I thought your I <3 U
was I love you. But how does <3 = LOVE?
I love your picture at the top. Is that your own design? You could mass produce that as art and sell it at IKEA! It's great!


donna amberson
accounting manager, interior motions

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